New Faces to Appear at 2012 Festival

“AND THE BEAT GOES ON—la de da de de—la de da de da” sang rock and roll greats Sonny and Cher!   We certainly know that to be true with the beat of JAZZ—

The traditional jazz beat started with Ragtime back in the late 1880’s, and The Blues, then came the Dixieland  and New Orleans styles of the early 1900’s, followed by Swing in the 20’s thru the 40’s.  They are all styles of what is known today as Traditional Jazz.Scott Joplin, King Oliver, Benny Goodman, stars of these early musical eras, have passed on their music to many, many great musicians.  Jazz has grown worldwide as musicians spread the musical word around the globe.  Still, it is America’s music, known to all as “our national heritage”.  Styles of jazz have also expanded to include those known as bebop, straight a-head, fusion, West Coast, free, and funk, but the “roots” of it all are buried deep in what we call Traditional Jazz, and those roots continue to flourish.

The North Carolina Jazz Festival proudly continues the presentation of this joyous music using the great musicians of today. This year we will again be adding some new faces to our roster of talented musicians.  From New Orleans comes John Royen, a stride pianist; from NYC we will bring Dion Tucker, trombonist with the Harry Connick Jr. Orchestra; and from Minneapolis, MN – Patrick Harison, a young jazz accordionist!

“AND THE BEAT GOES ON—la de da de de—la de da de da”

News Flash!!!

We’re adding a dance floor!

In answer to your requests—in 2012 we will be adding a dance floor for those who love to “move with the beat”.  Swing dancing is a “new/old phenomenon” that seems to be really catching on—and what better style of music to swing-dance to than Traditional Jazz?

The dance floor will be to the left of the stage, so as not to interfere with anyone’s view of the musicians.  So, to dance or not to dance, that will be your choice to make!

What is a Patron?

Our North Carolina Jazz Festival patrons are the backbone of our jazz festival—the extra that they contribute to our finances make it possible for us “to go out on a limb” and hire the finest of traditional jazz musicians for our festival each year.

The price of a patron ticket is $200 or $225.  The $200 Patron Badge allows you entry to Friday and Saturday night’s 4 hr. concerts with preferred, reserved seating, name in the program and the Patron’s Musical Brunch on Saturday morning.  This brunch is a unique part of the North Carolina Jazz Festival, as not only are the patrons treated to a delightful brunch, while listening to all of the invited Allstar Musicians play their favorite music, but an extra added attraction is the Patron Jam.  During the last hour of the brunch the patrons, who are also musicians, are invited to sit in with the Allstars for a rousing musical treat enjoyed by all!  This is also a time when patrons and musicians have the opportunity to socialize and get to know each other. The $225. Patron Badge buys you all of the above plus admission to the Thursday evening Special Event concert where we feature different styles of jazz with some very special guest artists along with some of the invited Allstars.

Patron Bob Troxell on trombone

We invite you to be an integral part of the festival family by becoming “part of our backbone”.  With your support we can continue to bring to Wilmington top jazz musicians from across the country and around the world! Help us “Jazz it up”!

NCJF is a non-profit organization, staffed solely by volunteers.

Photos on this page taken by George Ball –to see more of his NCJF photos go to www.BALLGL.COM

Jazz Education in Public Schools

Photo courtesy of The StarNews/Paul Stephen

For the fifth year The NC Jazz Festival worked with New Hanover County Schools to bring  jazz  to enthusiastic students.  Roland Grise Middle School once again was chosen to host a concert and workshop with the 2011 Allstar Musicians;  Jonathan Russell, Herman Burney, Bob Alberti and Ed Polcer on Friday February 18th.

Later in the afternoon, Jonathan and Bucky Pizzarelli gave a jazz string clinic for some of our local violin and guitar students and Bria Skonberg presented a similar sesssion to some trumpet students.   The Wilmington Hilton graciously provided the space for both of these events.

During the 2012 NCJF weekend we plan to continue our practice of bringing some of our all-star musicians to the middle school for a concert/workshop on Friday morning.

Later that afternoon Bucky Pizzarelli will conduct a guitar workshop for local guitar students and Bria Skonberg will again conduct a workshop for young trumpet students from the local high schools.  This will again take place in the Bellamy Room of the Wilmington Hilton Riverside.

A New Vibe From An Old Sound

It’s one of the oldest traditional jazz festivals in the country, but it doesn’t mean it’s old. Sure some of its 2011 scheduled artist have been performing for decades, but over the last few years the North Carolina Jazz Festival has been working hard putting a new spirit to its annual event.

From its humble beginnings in 1980, the NC Jazz Festival has developed into one of the most successful musical happenings in Wilmington. The brainchild of Dr. Harry VanVelsor (who passed away last year), the festival has continued to attract traditional jazz icons and fans from all over the world.
 
Art Hodes, Dick Hyman, Bucky Pizzarelli, Ed Polcer, Milt Hinton, Kenny Davern, Keter Betts, Bobby Rosengarden, Tony DiNicola, and Johnny Frigo are among some of the jazz greats who have shared their talents with audiences from all over the world attending the festival.
 
But in recent years a new trend has been developing and it’s creating a younger vibe and look for the festival. In 2007, the festival brought an 11 year-old violinist Jonathan Russell to Wilmington.
 
“We had heard his music and of his abilities and felt that this was a perfect time and way to ‘stretch’ our jazz years – 11 year-old Jonathan to 81 year-old Bucky Pizzarelli,” explains festival president Sandy Evans.
 
The result was a smashing success. This year, Russell and Pizzarelli will again be featured at the festival.
 
So within this new context what really is traditional jazz?
 
“Basically it all stems back to the music of the ‘20s and ‘30s in New Orleans,” explains Evans. “Traditional jazz takes us back to the ‘roots’ of jazz. And gives the musicians a chance to play the basic jazz form while expanding their playing to speak their own message.”
 
And surprisingly, though “Trad Jazz” is associated with older artist, “new” traditional jazz, according to Evans, is being composed all the time.
 
Once again, this year the festival will be a three-day event with Thursday’s night opening focused on different styles of jazz.
 
Friday and Saturday evenings feature a four-hour concert with a 15 All-Star musician lineup in a traditional presentation of seven sets, each with a different leader. A patron’s “musical” brunch will be held on Saturday featuring musicians and patron/musicians who “sit in” with the All-Stars during a jam session.
 
Additionally, and in keeping with the festival cultivating and inspiring young jazz lovers, several performers will travel across town to Roland Grise Middle School for a concert/workshop on Friday morning. Later that afternoon, a violin and guitar clinic will be hosted by Jonathan and Bucky at the Hilton. Bria Skonberg will give a clinic for trumpet students as well.
  
 Stretching its musical imaginations while presenting the traditional jazz that they have always featured – it’s a new vibe from an old sound.
 
I think Dr. VanVelsor would be proud.
 
A New Vibe For An Old Sound
The Beat Magazine January 2011
By Jeff Reid